Intuitively, we might think of creative writing and academic writing as fundamentally opposed forms of expression. While creative writing embraces subjectivity and formal innovation, academic writing emphasizes argumentation, the effacement of the author, and a rigid adherence to convention. In terms of both craft and methodology, the distance between creative and academic writing appears insurmountable.
Over the last half-century, however, several scholarly streams from feminism to postmodernism to Black studies have redefined the conventions of academic writing by exposing and embracing subjectivity and subjugated archives as starting points for scholarly expression, if not an ethically necessary position for arguing for the reality of various modes and lived experiences. In the process, these fields have questioned whether the emphasis on traditional discourse and an impersonal, empirical approach to academic writing is the only method for the production of knowledge and scholarly analysis.
While these innovations in scholarly expression wrought by feminist, postmodern, and Black studies writers and academics have reframed academic writing, what does this mean for the student? Through engaging creatively with academic work, this workshop will explore how creative writing can help us to produce argumentative writing that is both valid and engrossing.
This workshop will employ a creative-critical method that relies on play and imitation as a starting point for building student’s writing skills. In this workshop, we will compose work that imitates various creative styles (object description, poetry, metaphor, etc.) and use these techniques as a foundation for writing critically. The aim is that through imitation, students can develop a style through which they can confidently express their own ideas and arguments.
Mitchell Gauvin is a Canadian editor, writer, and academic specializing in literature and citizenship, diasporic and migration narratives, and transnationalism in eighteenth century and contemporary Anglophone literature. He holds a PhD in English from York University, Toronto and served as a lecturer at Toronto Metropolitan University for moving to Germany. His book, Literature and Citizenship in Age of Revolution: A Wish for Air and Liberty, was published with Routledge in 2025. His creative writing has appeared in multiple publications, and his debut novel, Vandal Confession, was published in 2015 (NoN Publishing) and translated into French in 2017 (Éditions XYZ).
Registration will open on 31 January 2026.